Baroque grandeurOriginally a Jesuit church, this grand church has a very broad front with three arches on the front and two additional arches on the sides of the porch. Beautiful iron work provides gates for the entrance porch. |
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Extravagant relief sculptureThis church differs from many in Puebla in that it lacks the characteristic azulejos, or decorative and colorful tile work. Instead, it has a riot of Baroque and extravagant designs in relief sculpture--in wedding cake white in the upper registers and gray in the first register. |
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Jesuit symbols on the church front At the top, IHS with the cross drawn above the crossbeam of the letter H. After the approval of the Society of Jesus as a new religious order in the Church, the IHS became the main symbol of Jesuit identity. Directly above the three-lobed door, the bleeding heart of Jesus, a common Catholic symbol and often used by Jesuits in the title pages of books and on church facades. |
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Entrance portals and monumental carved doors |
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Towers, completed a century later--A strange combination of elegant classicism and extravagant decoration |
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Interior with nave columns in dark stoneWhile Venetian Renaissance churches sometimes use a dark stone (pietra serena), the effect here isn't serenity. Like the front which seems odd with its combination of dark lower register and white upper, the interior seems chaotic--too many colors, too many styles. |
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| View back toward the entrance |